Mousque

Competition Project: Parametric Approach

Islamic art represents one of the oldest art forms, its history and legacy reaches far back histories and yet it still relevant in contemporary works and is full of untapped potentials. Geometric patterns make up one of the three non-figural types in Islamic art. Using contemporary modes of computation; such as scripting and free form modelling allows us to depart from conventional typologies of Islamic domes. Fabrication techniques for prototypes such as 3d printing, 3d milling and laser cutting, along with innovative use of emerging and existing materials, gives us the freedom to extend the existing boundaries and hopefully lead to new typologies in Islamic domes.

By using computational mode was generated from 4 sided Polygons which is one of the fundamental components of the traditional Islamic geometries. It departs from the existing typologies by using the same base geometries but differentiating the combination and duplication order. This method enables us to achieve novel geometrical organizations, yet remain culturally rooted. Our current fabrication technique allows for a great range of flexibility.

The project is a proposal for Mosque which explore the emergent qualities derived from surfaces modulation in an intensive fields, aiming to equilibrium states of program, structure and function through morphodynamical processes.

At a global scale the system explore how the modulation of isosurfaces, based on intensive field from site analysis data, can achieve highly differentiated spaces and performative structures.

The project uses a generative methodology to test multiple solutions based on the same process from which was selected the one that represent the best compromise between structural performance, program and connections.

Form, structure, function and decoration are emergent qualities of the same coherent system strictly related to his environment. 

For 3D Navigation: please visit this link:  http://sketchfab.com/nl4j3g2fe1

For Movie Animation: please visit this link:  https://vimeo.com/76736599

Mutant Block Aggregation

Parametric Wall

"Mutations are the basic elements by which evolutionary processes can take place."

"Parametric design is the first step to understand that changes, variations and information are the worlds foundations and matter properties, that will bring your mind to the doorstep of the boundless land of complexity."

As a means to get things started, I am posting an early parametric project that was designed for a gallery installation at the School. Using block surfaces, I developed a wall in which each part would be specific to its location in the assembly. Each block could work to brace one another, giving the system an accumulated rigidity.

Another key aspect of this research is in the investigation of material efficient form that can be completely nested on a clay or gips material. While this project is not zero waste, one can see the potential of such forms from a flat sheet.

The Parametric Walls project involves accumulating networks of simplified geometrical parts into larger useful whole masses. In this example, for a retaining wall system, Unit is designed to precisely interlock with its neighbor, allowing for a wall that curves in both plan and section, and therefore allows for a more precise distribution of weight and force both laterally and vertically. The primary intended uses for this particular system are as retaining walls for soil as well as strategic break-walls for tides and coastal wave surges. 

The parametric wall system generates units geometry, subtracts material overlaps, and organizes stacking of customized bricks to offset horizontal loading pattern. Parawall requires less vertical load than typical retaining wall systems, and produces a more strategically calculated "lean" efficient, which better offsets soil pressure on retention side.

The model is 3d computerized-made by Rhinoceros and Grasshopper.

For 3D navigation; please visit this link:  http://sketchfab.com/nlj3h2e1

Mutant Aggregation #00

Brick-laying robot sculpts 'Fireplace' without mortar "No  Mortar"
One of the oldest green building materials known to humankind, bricks have great thermal mass and last almost forever. But laying them takes skill, and complex forms and shapes are hard to design and build. Unusually, today we happened upon a story about bricks that doesn't involve Lego. Reassuringly, it still involves robots. It have re-purpose an industrial robot to create an intricate clay brick sculpture. The accuracy that will afforded by industrial robotics enables the placement and structure of the bricks themselves to create a sculpture that "lifts off the ground" without the use of mortar. Presents a digitally generated and fabricated wall consisting of clay bricks.

Using a modular unit of the masonry brick that developed a systematic aggregation creating a curved wall that inspired by Dome. The wall’s double layered running bond varies from a straight line to a maximum undulation, which creates an inhabitable space "Fireplace".

The emerging space and pattern is the resultant of a set of principles (algorithms) applied to a simple rectangular brick module, taking into account its material and technical parameters. The scale, precision, and vast number of units of the final design scheme necessitated an automated process based on script and robotic construction. A feat impossible to achieve by human hand due to the labor-intensive, precise nature of the task.

The approach that has been taken with this “Fireplace gathering” which includes the task and the robot, as well as the finished sculpture, in the work of art. It's about time robots were acknowledged for their tireless efforts. It's becoming quite the artist.

The Project is the outcome of a synthesis of computer generated design and computer aided construction research.

Going beyond the model scale, and planing to work with the Robotic arm set up new design challenges which were tightly linked to the construction techniques, material constraints, and structural limitations encountered in full scale building modus.

Ultimately the design manifests the performative potential of bricks, expressed through the wall’s curvature and porosity as it affects the acoustic and visual qualities of the wall-space created. Using digital technology these affects were pushed to a new extreme. Overall the project hopes to highlight the potential of digital fabrication techniques and the role these have in the education of architects.

For 3D Navigation: please visit this link:  http://sketchfab.com/nmkj3h10a

Gravestone

Grave to my lovely Father
Its a design for grave to my lovely Father that constructed in Norway - Trondheim.

I tried to make an indication of the soul by the openness in the center; that return to the sky. And the name of my lovely father that shaped by Arabic calligraphy in the half-moon (Crescent) inside of the monument. The wings that shaped the monument from the outside gives an indication for the goodness that my lovely father have it. And the main idea that I tried to use in this monument is the openness and simplicity.

The grave constructed by red & black granite, and the Islamic ornamentation that shaped by water-jet technique.

All what I tried to do is to giving a small thing back to my big Hero and my best friend (My lovely Father).

3D navigate: http://sketchfab.com/nlhgfeca

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Green Prophet

Green Prophet

 

Student Proposes Iraq Embassy Design for Oslo a la Zaha but Greener
by Tafline Laylin, 06/30/13 

 

Zaha Hadid’s flowing architecture instantly sprung to mind when we came across Zaid Bin Talib’s design proposal for an Iraqi embassy in Oslo. Daring, futuristic, and swooping, the design appears to be influenced by Iraq’s most famous architect’s style, except the Oslo School of Architecture and Design student’s work is so much greener.

So many people rave about Zaha Hadid’s work, and with good reason. She’s a genius who constantly reinvents herself, an original.

But we can’t bring ourselves to support an Iraqi who refuses to do more for the environment through her deeply influential work, unless you count the LEED Silver SOHO Gallery Complex.

But Zaid Bin Talib? Now there’s a designer we can get behind.

The proposal for a new embassy in Norway demonstrates an environmental ethos that puts the Iraqi elder to shame, yet the budding student hasn’t compromised one inch of innovation to achieve his eco-ambitions.

One quarter of the punctured facade is covered with photovoltaic panels and 30 percent with greenery that unfurls among the undulating openings.

The energy-generating skin is complemented with high-performance glazing covering the openings, which help to ensure the building’s interior in both well-lit and ventilated.

Oriented towards the west entrance to protect against high winds and comprised of two polarized “swirls” that create a continuous, long structure, the embassy’s northern facade is closed to block out traffic noise.

Other sustainability initiatives include energy efficient lighting and passive solar design, all of which help to reduce this impressive structure’s impact on the earth. Mind you, it’s not dirt, and it’s not affordable, but it is a step in a greener direction.

Maybe this particular design won’t be realized, but it’s refreshing to know that the next generation of designers from the Middle East and North Africa are incorporating real-world issues into their work.

Now, how do we teach the old schoolers (ahem, Zaha) a few new, green tricks?

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inhabitat

inhabitat

Zaid Bin Talib Unveils Plans for Solar-Powered Rainwater-Harvesting Embassy of Iraq in Oslo

by Lidija Grozdanic, 06/28/13

Oslo School of Architecture and Design student Zaid Bin Talib recently unveiled plans for a new Embassy of Iraq in Oslo that is covered in solar panels and rainwater harvesting mechanisms. The swirling structure features an energy generating skin, and it's wrapped with vegetation that intertwines throughout its openings and undulating surfaces.

The intersecting swirls of Zaid Bin Talib‘s Embassy of Iraq in Oslo create an interesting play of animated forms. The skin provides gradual and discrete connections between different parts of the building. The two polarized swirls create a continuous and, at times elongated circulation path.

Serving as an urban sculpture, the overall shape of the building gestures towards the open spaces on the west side of the site. The north façade is mostly closed and functions as a buffer against traffic noise. Access, openings and views are oriented towards the east and shielded from winter winds.

The undulating roof is covered with photovoltaics and it harvests rainwater to irrigate the surrounding vegetation. The openings are glazed with high-performance glass that reduces glare and provides views and shading.

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Embassy of Iraq - Oslo, Norway

A new embassy with ambassador’s residence in Oslo, Norway

Extract:

An embassy is a reflection of its country and its silent messenger that complements as well as completes the Ambassador’s mission.

The name of Iraq has become a strong reminder of war, atrocities, and suffering not soon forgotten, as it fought to carve its identity. Iraq seeks much needed support to overcome the painful years of civil war and looks to friendly nations that understand its pain and its strive to build a better future. Iraq is viewed as a rich and influential country, their heritage and traditions reflected by the fastest expanding civilization in the world. A world where traditions are being lost, easily discarded, and abandoned.

Iraq almost lost everything including their beliefs and faith in humanity, in face of a horrific and devastating war not seen in Europe since World War II, a gleam of hope ended the fight and life rose again from the ashes of pain and suffering.

Today, only the present and future matter and need be strengthened. We find strength not only in ourselves, but also in family and friends in life. Thus, the message of the hope coming from the warm desert of Arabia is bold and strong and has to be shown in the architectural representation of the embassy.

This research seeks to shed light on what an Iraqi embassy in Norway capital is. It discusses to what extent an embassy can showcase the ideals and the cultural values of the country it represents, what its role is, and to what extent it is a building that should try to conform to the local setting. 

The House of Iraq in Norway fulfills the role of embassy purely as a representative of goodwill. I want to focus on developing a national symbol for the new spirit of Iraq. The new building should be a symbol of the Iraqi’s role in the development of Iraq and a reflection of the determination to rebuild the country.

More detail about the project you can find it on my website:

http://zaidbintalib.wix.com/zaid-bin-talib